Fr. Allison
824-2053; 899-3000
2009/10
JUNIOR
ENGLISH (CP)
Long-Term
Assignment (it will be reviewed in B4 on Tuesday).
British Literature (CP)
M. Allison, M.A., M.Div., M.Ed.
Comparative Writing Assignment
The
Material:
You
have some pieces of literature available to you: The Beowulf; “The Death of
King Arthur”; Ulysses by Alfred, Lord
Tennyson; Drummer Hodge by Thomas
Hardy; Henry V’s speech at Agincourt; and Anthem
for Doomed Youth by Wilfred Owen.
All of these have some common concerns, among them an attitude about war
and battle, an understanding of who a hero is, and finally, a means whereby one
can be driven to think about the reality of life and death.
The
Assignment:
This
is a written assignment that encourages you to use your imaginations, but also
to think about the serious pre-occupations of human beings and help you
understand that mature persons are those who consider some of the “ultimate”
questions.
Listed
below is a selection of approaches that you may take. You MUST choose one, and “stay with it.”
You
can choose to do the following:
·
Compare
and contrast the type of hero that Arthur is with the type of hero that Beowulf
is;
·
You
may take one of the pieces of poetry and write a long essay of interpretation
about it;
·
You
may contrast the values that seem to appear over time in the pieces that you
are considering, making sure that you draw references to at least three
historical periods;
·
You
might attempt an essay in which you examine the important virtues that one of
these pieces of literature attempts to convey and show how they seem to be
absent or present in our modern time;
·
Make
a judgment about what message the author is attempting to convey in one piece
of poetry.
The
task here is to get you to write about literature and how it is that you enter
into dialogue with the work. In short,
“what does it mean?” One of the theses
we have been attempting to make is that literature tends to reflect people’s
values and pre-occupations. Also, we
have been contending that literature can form us if we allow it to do so.
Getting
Started:
First,
consider the stories or pieces you like the best or dislike the least. That’s the one with which you begin. Next, ask the question: “what do I undertstand by this?” or, what is
in this that appeals to me.
Once
you have done this, write down some initial thoughts: whatever enters your mind is best. Then, organize those into a paragraph or two
and see if you can begin to consider a viable essay.
The
Procedure:
This
paper will be done in two parts: a
draft, and a final paper. I will make
the necessary corrections on your draft so that you final paper ought not have
many problems.
The
value of the draft is 50 points; the final paper 75 points.
While
the first paper is only a draft, you should see to it that is complete and
error-free as possible.
The
following dates apply:
Selection
of your topic: Wednesday, October 14.
Draft is
due October 27.
Final
Paper: November 5.
I am
available for help on this any day after school.
www.gradesaver.com/the-canterbury-tales/study-guide/short-summary.
CHRYSALIS ENTRY FORM
TERMS:
My signature:_______________________________________
Literature of
the 1950’s
http://www.writing.upenn.edu/~afilreis/50s/home.html
http://libguides.library.deerfield.edu/fifties
British
Literature
Talking Back to a Poem
Modern American Poetry
From Modern American Poetry, Copyright © 2002 by The Great Books
Foundation.
It would be convenient, though boring, if there were a
short list of universal questions, ones that could be used anytime with any
poem. But there are some general questions that you might ask about a poem:
Who is the speaker?
What circumstances gave rise to the poem?
What situation is presented?
Who or what is the audience?
What is the tone?
What form, if any, does the poem take?
How is form related to content?
Is sound an important, active element of the poem?
Does the poem spring from an identifiable historical moment?
Does the poem speak from a specific culture?
Does the poem have its own vernacular?
Does the poem use imagery to achieve a particular effect?
What kind of figurative language, if any, does the poem use?
If the poem is a question, what is the answer?
If the poem is an answer, what is the question?
What does the title suggest?
Does the poem use unusual words or use words in an unusual
way?
You can fall back on these questions as needed, but experience suggests that
since each poem is unique, such questions will not go the necessary distance.
In many instances, knowing who the speaker is may not yield any useful
information. There may be no identifiable occasion that inspired the poem. But
poems do offer clues about where to start. Asking questions about the
observable features of a poem will help you find a way in.
Review Instructions for Test on Middle Ages: Monday and Tuesday, November 16 and 17,
2009-11-12
Jr. English (CP)
Fr. Allison
Review for Middle Ages Test
OBJECTIVE QUESTIONS:
·
Middle Ages
Intro.
·
King Arthur Story
DEFINITIONS
·
Romance
·
Courtly Love
·
Feudalism
·
Chivalry
·
Fable
·
Satire
·
Characterization
·
Frame Story
SHORT ANSWER
·
Arthur
·
Prologue to the
Canterbury Tales
·
Wife of Bath’s
Tale
·
The Pardoner’s
Tale
·
And 2 other of
the characters of your choosing
MATCHING
·
Prologue
·
Wife of Bath
·
Pardoner’s Tale
The web link posted here is a good means for
review: www.gradesaver.com/the-canterbury-tales/study-guide/short-summary.
1960’s: Years of Hope, Days of Rage
·
Columbia University Strike Coordinating Committee: http://www-personal.umd.umich.edu/~ppennock/doc-Columbia.htm.
·
http://www2.iath.virginia.edu/sixties/HTML_docs/Resources/Primary/Manifestos/SDS_Port_Huron.html
Junior English
A3:
for Wednesday, December 16, 2009:
Paper due for Dead Poet’s Society.
For Tuesday, December 22, 2009:
from the poetry packet that was distributed to you: paper 2 - 4 pages: In detail, explain the meaning of the poem
you selected; then, explain, in great detail, why the poem was important to you.
Also for Wednesday, December 16, 2009: Locate at least three symbols in A
Christmas Carol.